INTERCONNECTED
A Letter to Listeners:
My first solo guitar release, Places, included a brief transition written for string quartet. After hearing that recording, a wonderful pianist (Ruth Harteneck, who taught both my children) commented that I should write more music for strings with modern fingerstyle guitar. That advice must have lodged in my brain. When I started putting material together for Interconnected, I did just that and went a little farther by including bass and tabla.
Modern fingerstyle guitar itself is an amalgam of styles. The guitar parts on this recording include jazz chord voicings but also rely heavily on classical techniques, good old rock and funk rhythm guitar, in addition to altered tunings and the types of percussive hits and extended harmonics characteristic of modern fingerstyle playing. The ensemble is a perfect vehicle for connecting different styles, eras, and cultures. So, for example, the piece 6 in 7 begins with a traditional classical Indian introduction (called an Alaap) and includes a middle section which features a jazz-infused violin solo followed by a Peter Gabriel-esque rock cello solo. Hot Apple Stuff has a Celtic feel driven by a galloping tabla beat. For Every Child is a classical trio for guitar, violin, and cello inspired by the French composer, Maurice Ravel, whom I have revered since college.
Interconnectedness is also expressed here in the relationship between the solo guitar pieces and the ensemble pieces. They come in pairs connected by a guitar tuning and, therefore, an overall sound. Bodega Blue shares a D minorish tonality with 6 in 7 (tuning: D-A-C-D-A-E); Mia Lucia alternates between B minor and D major, while For Every Child turns that around, starting in D major, then going to B minor and back again (tuning: B-F#-D-F#-G-D).
This music requires musicians capable of delivering a wide spectrum of styles. As you will hear, each of the players on this recording are extraordinarily gifted. I am deeply honored, grateful, and humbled to work with them.
Thanks for listening!
— Mark Vickness